March 19 - 24, 2024
BJCC Concert Hall
COME SEE HOW THE WORLD COULD BE.
Welcome to HADESTOWN, where a song can change your fate. Winner of eight 2019 Tony Awards® including Best Musical and the 2020 Grammy® Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin (Natasha, Pierre & The Great Comet of 1812) is a love story for today... and always.
HADESTOWN intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, HADESTOWN is a haunting and hopeful theatrical experience that grabs you and never lets go.
PLEASE NOTE: This production uses theatrical haze and strobe-like effects.
Tuesday, March 19, 2024: 7:30 p.m.
Wednesday, March 20, 2024: 7:30 p.m.
Thursday, March 21, 2024: 7:30 p.m.
Friday, March 22, 2024: 8 p.m.
Saturday, March 23, 2024: 2 p.m.
Saturday, March 23, 2024: 8 p.m.
Sunday, March 24, 2024: 1 p.m.
Sunday, March 24, 2024: 6:30 p.m.
TOTAL RUN TIME: 2 hours 30 minutes with Intermission
The performance will begin promptly at the advertised curtain time. Latecomers will be held outside of the theater until the tour approved entrance time.
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“WE LEFT OUR HEARTS IN HADESTOWN.”
Marc Snetiker, Entertainment Weekly
“AN EPIC CELEBRATION OF MUSIC, TOGETHERNESS AND HOPE”
Jeryl Brunner, Forbes
“Unforgettable. Simply one of the most exquisite works of musical storytelling I’ve seen in my more than 25 years as a theater critic. In its supple convergence of story and song, Hadestown represents a step forward for the art form. An interweaving of two myths about lovers, the show invites us to take part in a sacred ritual. Passive viewership is not an available option. If I seem love-struck, there’s a reason: In its trip down to hell, Hadestown transported this Broadway theatergoer to heaven. Thank you, thank you, thank you, Hadestown.”
Charles McNulty, Los Angeles Times